In the chaotic and seedy heart of Medellín, the center of Colombian cinema’s most popular city, is la Estancia, an old house inhabited by lonely old men. There, camouflaging hopelessness with jokes and alcohol, Guillermo, Álvaro, and Raúl are caught up in their unique, jealousy-tainted love triangle, cloaking the relentless weight of routine and life in uninhibited shamelessness.